Tuesday, October 24, 2023

“The recent bubble burst didn't surprise me at all; it only confirmed my views”



“The rest to some faint meaning make pretence but Baba never deviates to sense”.

 

 

This was the Cambridge High and Latin School doggerel for the legendary Indian polymath D. D. Kosambi, who was fondly called ‘Baba’, which was his family nickname. Despite his painstaking efforts and invaluable contributions in diverse spheres including mathematics, statistics, philology, history, and genetics, D D Kosambi is long forgotten in his native land. Thankfully, we have several non-conformists of his clan across the globe who follow their heart and speak their mind, just like Kosmabi did all his life, without mincing words or sugar coating truths and stark realities.  

 


One such maverick is Jose Crespo, a software and hardware engineering maestro in a class of his own. He is purpose and poise personified, unapologetically allergic to any kind of hype and noise. No wonder, he doesn’t stop at calling spade a spade, he digs deep into a rather contaminated soil of software and hardware to unearth truths that lie buried in the debris of a lopsided and often counterproductive software development, which is aggressively promoted by the pseudo visionaries and vested interests of different types, makes, and takes. In short, he probes deep into the orchestrated marine life of messy and murky cesspools, where most build their thriving careers dancing to the tunes of the establishment. 

 

 

Excerpts from our freewheeling conversation: 

 

Before we delve into your present endeavours, I would like a snapshot of your early years… 


I've spent most of my time moving around Europe, where I have relatives in various countries. As a result, my education transcends borders and has always embraced diverse perspectives critically. My academic focus has been primarily on engineering and mathematics, but I've also delved into the humanities. This includes studying ancient languages like Latin, Greek, Middle Egyptian, and even Akkadian, as well as history and classical music. Some of my favourite composers are J.S. Bach, Mozart, Beethoven, Haydn, and Richard Wagner. These interests, concerns, and goals are ones that I've shared with my relatives.


How and when did you gravitate towards technology? Was it a conscious choice or one influenced by circumstances or role models?

Like many in my generation, my first exposure to technology came through early microcomputers like the Sinclair and Amstrad. We all started by programming our first video games in BASIC and then moved on to Assembly language. I still remember using PEEKs and POKEs to read and write directly to memory positions on the Z-80A microprocessor in those Sinclair machines. This was mind-blowing at the time and served as my initial introduction to what we would later call pointers and assembly language. I'm afraid that was the landscape of our childhood.

After your Bachelor's and Master's in Hardware and Software Engineering, what motivated you to go for a PhD in Neurocomputation? 

I became interested in Neurocomputation at a time when we were emerging from the second AI winter. Despite the advancements made decades earlier by Rumelhart and Hinton in overcoming Minsky's objections through the error backpropagation technique, I chose to venture into a more scientifically-backed field that combined Neurobiology and Computation. This led me to join the labs of Niebur and Wolfram Schultz at the John Hopkins Institute, Baltimore, Maryland, where I worked on computational models in both software and hardware. I was involved in building electronic circuitry and software to predict various electrophysiological patterns in intra- and extracellular recordings. At the time, these patterns appeared to be noise, but upon closer examination, we found there was much to unravel. The entire experience was incredibly engaging and rewarding.

Where, in your reckoning, is the world of tech headed? How will disruptive innovation affect the way we work and play in the coming decade and beyond?

This is a subject that elicits two completely different emotional and rational reactions from me. On one hand, I have little hope for what I humorously refer to as the "PIT," or Private IT companies. Despite their big names, I find a lack of true science and engineering in these spaces. Much of what is presented is overhyped and often just repackaged old ideas sold as new discoveries. While there are some interesting developments, they are generally applications of long-known concepts. Moreover, I find that much of what comes from the PIT is harmful to the intellectual development of new generations of software engineers who are not grounded in the fundamentals of their profession.

On the other hand, the world of systems and computer engineering and science is quite promising. Take, for example, the Haskell programming language, which is more than just a tool for coding. It's a platform for advanced research that brings abstract algebra, set theory, category theory, and group theory into programming. This approach addresses many of the problems created by the PIT's harmful technologies and methodologies, many of which fall into the category of pseudoscience—like the Agile Scrum movement, DevOps, and various architectural frameworks that offer little value to serious engineers in the field.

In your articles as well as in your communication, you invariably focus on the interplay of mathematical theory and technological applications. Do you feel that math skills are not emphasized as much in tech as they should be?

I gained a solid foundation in advanced mathematics during my university years and postdoctoral research. However, my in-depth understanding of abstract algebra, advanced category theory, and group theory came primarily from extensive reading, research, and practical application in both programming and electronics. For example, I'm currently working on programming FPGAs with a higher level of abstraction than traditional combinatory logic and LUT tables allow. I believe that as programmers, we need to understand that mathematics for us extends beyond mere arithmetic and number theory. It's about how code components relate to each other through explicit transformations and relationships, which can be better understood through the right mathematical abstractions. In essence, mathematics is much more than just numbers; its core is logic, much like programming, but with a more rigorous foundation.


Your decision to call it quits in the private IT world as a software/hardware engineer speaks volumes about the state of what you rightly call a 'broken industry.' How do you see this space evolving in the time to come?

I found the private IT industry to be simply boring and broken, with no real challenges. The excessive bureaucracy and ritualistic meetings consumed too much time, leading to life wasted on pointless projects—many of which were dead ends. And I'm talking about projects from companies that are household names. I hate to sound so pessimistic, but it's my conclusion that the PIT is currently the worst place for a self-respecting, ambitiously healthy engineer who simply wants to do engineering and find joy in their work. The recent bubble burst, accompanied by massive layoffs and hiring freezes, didn't surprise me at all; it only confirmed my views.

Among your programming stints, which were the ones you found most fulfilling and why?

Currently, I'm involved in projects that integrate high-level abstractions with low-level programming, hardware, and electronics. There's a wealth of work to be done here that could benefit entire industries. The aim is to create more powerful and user-friendly electronics with real emergent properties grounded in hardware details. Unlike the broken abstractions commonly marketed by new programming languages and platforms in the Private IT sector, these are genuine engineering tools designed to make it easier to build and understand new emergent properties of our technology beyond current constraints. Surprisingly, there are very few people working in this field.

How would you describe Haskell? Do you agree with the general perception that the level of its abstractions, patterns, and libraries can prove mind-boggling?

Haskell is not just a programming language in the conventional sense, where we use tools to solve specific types of problems in certain application domains. Instead, it's a mathematical tool for conducting research while programming. Although Haskell may not be suitable for commercial programming, its impact lies in how it influences your approach to programming in other languages. Once you've programmed in Haskell, you'll never code the same way again. You'll start seeing connections where there was once chaos, and you'll pay greater attention to details that make your code in other languages more powerful and easier to extend. For example, you'll become more conscious of the distinction between mutable and non-mutable code and data, among other things.



What are your thoughts on Rust? Were you drawn to it primarily because of your work in cryptography and blockchain? What do you think of Python and how does Mojo compare?

Rust is a language heavily influenced by Haskell and serves as a counterpoint to the Object-Oriented Programming (OOP) paradigm, which has led to a lot of broken software and flawed engineering practices. Rust has largely abandoned many of the tenets that were evangelized by the Gang of Four (GoF) and has instead embraced the path of Haskell and functional programming, with only minor traces of OOP that are diminishing with each new version. As for Python, it's a useful tool for low-level framework interfaces and rapid scripting, making it valuable for prototyping. Regarding Mojo, I don't have an opinion.

You have worked extensively in the domain of healthcare and medical diagnostics. What were the challenges in the course of your diverse projects?

One of the major challenges was the integration of hardware from different vendors, many of whom used proprietary protocols, firmware, and provided scant documentation. Even when dealing with well-known protocols like I2C, SPI, and UART, we had to modify electronic circuitry, adding pull-down and pull-up resistors to adjust signals from peripherals supplied by different vendors. Another significant challenge was the security of the firmware. Most vendors provided little to no documentation and closed code, posing risks of firmware implants during scheduled updates—critical issues when dealing with medical devices and patient information. Beyond these, there were challenges related to the business layer of programming, including handling synchronous and asynchronous communication across different timeframes, from milliseconds to hours, ensuring responsiveness under heavy traffic loads, and dealing with networking protocols and security. Despite these challenges, the end result is incredibly rewarding as it genuinely helps people in need.



Any plans to go deep into tech development focused on the research and clinical side of healthcare?

Though I believe my skills could be applied to emerging fields like predictive genomics, I have a few reservations about working in that direction, given my scepticism and concerns about how private companies handle health and genetics. Therefore, I have no plans to delve into tech development focused on the research and clinical side of healthcare in that specific area.


Looking back, which of your initiatives have shaped up exactly as you envisioned them; conversely, which are yet to meet the benchmark you have defined for them?

I don't tend to look backward because I find it unproductive. Instead, I focus on taking one step at a time, learning new things, and enjoying the process. The goal is to discover or learn something new that changes my perspective on my profession, society, and even the way I view the world. While this may seem like a lot, it's what makes life interesting—being continually surprised and driven by the mysteries around us.


Please elaborate on your inspiration (Jules Verne's "The Mysterious Island") and your ‘closer to nature’ lifestyle.

After experiencing the turmoil of the COVID-19 pandemic and the oppressive atmosphere in crowded cities, I made the decision to permanently reside in smaller towns. All I need is an internet connection and the surrounding natural environment. This lifestyle has not only been my focus and inspiration but has also significantly strengthened my physical and psychological well-being. Living closer to nature provides a more authentic experience of the world, free from the irrational behaviour often incited by misguided political and opinion leaders.


Any message for the aspirants of your field?

Just a thought: as engineers, we should strive to be creators, intellectually critical leaders, and above all, we should not sacrifice our freedom for the deceptive allure of the Private IT sector. Instead, carve out your own personal path in life and focus on being productive in the areas that you are most passionate about.

Saturday, October 14, 2023

Tête-à-tête with G B Prabhat

Co-founder, Satyam Renaissance Consulting; Founder, Anantara Solutions, Author, Thinker, Management Expert



I had the good fortune of working closely with G. B. Prabhat (GBP) of Satyam Renaissance fame, the pioneer of the offshore consulting model. This was at Anantara Solutions, a Chennai-based global consulting outfit where he was the founder and I was a ‘finder’. 

Despite my short stay, our relationship bloomed to an enduring high, thanks to the wonderful conversations we had, as also the fact that I had read his novel ‘Eimona’ long before I became a colleague. It was his stoic poise and awe-inspiring wit and wisdom that gave me the strength and stamina to look beyond the 'maximum' nusiance value of a few 'minimum' persons, an insescapable reality in every organization across verticals.  

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It would not be out of place to begin this short post with a short introduction to Eimona.

Eimona is a gripping tale of co-existing contrasts in a tech-savvy, money-minted new-age India – abundance & deprivation, loneliness & celebration and advancement & regression – seen through the eyes of an aging protagonist of the old order who sees a future that begins to dictate even before it beckons from the mists of the unknown. 

Whether it's the endearing protagonist Subbu, his grandson Bharat, Bharat's go-getter wife Indu, their innocent daughter Maya or the several others who circle the life of this family of four - GBP brings out the most profound emotions lurking in the seemingly inconsequential actions of every character. 


GBP’s vivid imagery of the world around him is as hilarious as it is heart-wrenching – we have smart career-women seeking ready-to-deploy hubby packs of good looks and meek authority; the sophisticated demeanour of professional life degenerating into shabby movements of retired confinement; societal code of conduct for bereavement and celebration; the incidental well-being of families blessed with ample space, adequate money and less time; and of course - the umpteen vultures of culture selling best-of-breed solutions for fighting depression, blooming love lives, deciphering child psychology besides a host of social and anti-social issues disconcerting the high-achievers of the new generation.


The trinkets of observation - principally seen through the roving eyes of Subbu - are laced with effortless humour - an astute blend of Wodehousean wordplay and Chaplinesque graphic display. They subtly highlight the self-defeating ingredients of self-centred strides - the intrusive courtesy of shopping malls, fleeting values of modern families, switching loyalties of corporate worlds, matrimonies bound by contractual obligation and supersonic success stories demented by brimming insecurity.


However, the perfect poise of Subbu’s detached tongue-in-cheek commentary is somewhat lost in the volcanic climax of the novel. Knowingly or unknowingly, the author tilts the moral scales in Subbu’s favour rather forcefully. Towards the end, Subbu has his stamp of incisive authority virtually on every episode. One wonders whether the hypocrisy of the new order could have come about more subtly.


Nevertheless, the pace of the novel is extremely alluring. The fag-end drama, in what’s a social commentary, is narrated with best-seller finesse. In fact, the novel has all the essential elements to make it an engaging film plot. This is a one-of-a-kind effort that makes you wake up and take notice. And the story is best read, not described.


----


GBP was kind enough to spare time off his hectic schedule to share a few thoughts on one of his latest books, a one-of-a-kind primer, not your everyday self-help book, aptly titled ‘Maximum Person’, aimed to help the reader lead a fulfilling life, personally and professionally. I am currently midway through the book and look forward to sharing my two-penny review as soon I am through with it.

 

Meanwhile, here’re the excerpts of the Q and A:       

 

How did the idea of 'Maximum P' germinate in your mind?

 

GBP: For a while, with great alarm, I have been watching steep declines in the Quality of Life (worldwide). Specifically I am deeply concerned about the QoL of the emerging generations. That, coupled with my knowledge about industrial Quality Management techniques gathered over a 30 year period in business consulting, prompted me to propose a model for dramatically improving the QoL of individuals by an adapted application of Quality Management techniques. The result was “Maximum Person.”

 

{You can buy the book here: https://www.amazon.com/MAXIMUM-PERSON-Dramatically-Management-Techniques-ebook/dp/B09DY9WN9M}
  


Was consulting always an area of your affinity? Was your vocation a conscious career choice or a shift driven by circumstances or a mixed bag? 

 

GBP: A mixed bag! I set out to have a career in Information Technology. I soon realized that in the corporate world, Information Technology was changing from an article of faith to being treated like any other investment which to yield tangible returns. This required fitting all IT interventions into the business context. Exciting new fields like Business Reengineering came to the fore when I was young. I capitalized on such trends and turned myself into a consultant never once divorcing myself from IT.

 


By your own admission, your favourite book is your next. So what's next? 

 

GBP: I am presently working on two novels, some short stories and the next volume of my Tamil poems.


I would like to know more about "Intimate moments..." based on your father's short stories and also your Tamil poems. Was your father a strong influence for the writer in you?

 

GBP:  My father was a prolific writer in Tamil publishing over 500 short stories in addition to novellas and skits in a writing career that spanned about 70 years. He taught himself Tamil (English and Malayalam were his media of instruction) because of his abiding interest in the language and its literature. He wrote copiously in English too (he was an English literature teacher) but his output in English quantitatively was dwarfed by his Tamil writings. Intimate Moments and Other Stories is a collection of select short stories of my father rendered into English by me. The rationale behind the selection of the stories was to showcase his vast oeuvre. My father was indeed a powerful influence in causing and shaping my interest in literature. 


(Note: GBP shared the foreword he wrote to his dad's collection.  I initially intended to include only an excerpt, but mesmerised by its profundity, I hereby reproduce it in full. This is undoubtedly one of the best forewords ever written. Read, reread and savour the beauty of the prose turned into poetry) 

 

 

 FOREWORD

Having a father who is a literary genius is both a gift and a problem.


A gift because he stoked in me so fierce a passion for literature that made all other pursuits seem worthless. I continue to immerse gratefully in the pleasures of the world he introduced me to.


Being a great writer’s son, however, puts me in a predicament. It creates the social compulsion that I do not offer any commentary on his writing, certainly not praise. A strong dilemma overtook me. Either I could remain the modest son of a family of virtue and let my father’s Tamil works go unrepresented in the world of English readership. Or break with the well-established tradition of modesty, play the maieutic role of the translator, and make his work accessible to English readers. I have chosen the latter.


Under my father’s tutelage, hopefully I have turned at least a novice at handling the indispensable requirement of a critic: Of dispassionately viewing the work for what it is. It is comforting that his stories appear alongside my commentary. I am sure they will speak for themselves. So here goes.


My father and veteran writer, G.S.Balakrishnan, has been writing since the 1940s. Over a period of 60 years, he has written over 500 published short stories in Tamil, in addition to a number of novels, novellas and skits. He is also a prolific writer in English with short stories, opinion pieces, translations of Tamil literature, and English literature reviews to his credit. He is the author of 10 Tamil books including collections of his short stories and an introductory treatise on humour. His short stories have won him many awards, the Kalki- Berkeley Award for the best humorous story among others. An English teacher at many prominent universities of India, Balakrishnan, now nearly 80, leads a retired existence at Chennai (Madras), India.


There must be only a handful of writers who have over 500 published short stories. O.Henry is said to have published over 600. Most historical notes about Luigi Pirandello claim that he has written about 500 short stories. At any rate, it is not often that the man you meet easily on the road is such a prolific writer. My father roams the roads constantly, speaking to ordinary folks about ordinary things with the inherent writer’s instinct. His range is awe- inspiring: humour, philosophy, medical ethics, cryonics, patriotism, romance, hope and disillusionment. Yet for the most part, the stories concern ordinary folks and ordinary things. Every writer knows that dealing with ordinariness is a far more complex undertaking than dealing with extraordinariness. My father sought ordinariness not as an affected, condescending search for raw material for his stories. He genuinely rejoices in the ordinariness of life while aspiring for the sublime in his art. Renowned Tamil writer, “Sujatha” Rangarajan, who passed away recently, clubbed him with the literary doyens, Kalki, SVV, Devan, Nadodi and Savi, for his humour. His Tamil publisher, Srinivasan of Alliance Company, the oldest known publishing company in Tamil, described him as “an unpretentious genius.”


Balakrishnan wrote for nothing except the aesthetic purpose. Entertainment is the only goal of his writing. If there is edification, like with any great writing, that is merely a byproduct.


He has an intense disdain for the didactic. His work is unattended by direct sentiment. While his stories attained his stated goal of unmixed pleasure for the reader, they are nothing like the modern English short story. The modern short story (at least, American) is the emperor’s new clothes. It receives widespread approval; the more inaccessible it is and the more pretentious, the wider the approval. At heart, however, the applauders are clueless about what they are applauding. Worse, they doubt if the story is even there. The new short story demands an effort of the reader that is greater than that required to understand nuclear principles or equally daunting arcana. It is an unending mystery to me that the practitioners of the imposter craft of the modern short story hail Maugham, Hemingway and Hawthorne as the greatest artists, but do little to emulate their art. My father’s stories are a lifetime’s protest against such inaccessibility. A greater acquaintance with simple yet profound stories such as his may actually give readers the courage to declare that the emperor, indeed, has no clothes.


Many of his stories set in period 1950-1970 bear the charm of sepia-tinted pictures. The revolution of the age may have become the quaintness of today. (In more than one story, the salwar kameez is the radical progressive’s attire.) On the surface, the settings may appear sweetly anachronistic, but the stories bear the unmistakable stamp of timeless works. The type that you would particularly love to read on a rainy day curled up under a blanket. His is an uncomplicated literature.


Of the literary lineaments, Balakrishnan used the plot most profitably. His singular capability is uncovering overlooked or unorthodox insights. These insights turned into plots that compare with the best in the world. He paid attention to style and many times produced scintillating narrative. It was only very rarely that he was not patient with character development. Perhaps he was carried away by the splendour of his plot that he was unwilling to plod through it. In such cases, character development was legitimately a distraction. Excited by his plot, you can see him speed through the narrative towards the resolution. It is as if he wants to, like O.Henry, urgently peer down the cliff of the narrative to look at the ending below. But like O.Henry, he caters eminently to readers who want the story writer to cut to the chase. He is cast more in the mould of Saki, James Thurber, Ambrose Bierce and Katherine Mansfield than in the mould of Gertrude Stein, Raymond Carver and Julio Cortazar.


He is only as incomplete as any master of writing.


The majority of his writing is in Tamil, which was not the language of his instruction. His passion to write drove him to become a self-taught student of Tamil. It is surprising that being a teacher of English, he did not choose it as his primary medium of expression. While he did write quite copiously in English too, it is in Tamil that he was at home.


Being well-versed in Sanskrit, he believes that Sanskrit literature is the highest form of the craft. Readers familiar with Sanskrit writing will see that both the aesthetic and affective qualities of his stories are influenced by great Sanskrit works.


My mother, Vijaya, is his first critic and he listens to her carefully. Though he wrote almost as much under her name, as he did under his, she supplied material for only one story. That story, Full Circle, is included in this collection to lend it completeness.

While reading the drafts of many stories, I have taken the liberty of asking for a redundant line to be deleted, for minor conversions in prose, and for titles to be changed. He would consider the suggestions with the greatest humility.


In producing this collection, I am filled with the cardinal fear of the translator: That he reflect the original in spirit, if not in letter.


The Tamil writing fraternity has lavished praise on Balakrishnan for his humor and I have no disagreement with the view. He is, however, much larger than just his humorous writing. I have attempted to make this collection a sample of his oeuvre, not just his humour.


The collection includes unusual stories dealing with the unusual (magic in Methuselah, robotics in Mini and Mohini, fire-walking in The Fire Ablution, and fantasy in The Singing Cracker), humour (Doting Diktats, It’s a Dog’s Day, and My Dear Nightingale), history (The Jasmine Creeper) and the perpetually attractive aching human relationships (many stories). The collection includes 3 award-winning stories The Night of My Desire, The Jasmine Creeper and My Dear Nightingale. A few stories are the Sudden Fiction type but don’t trade punch for the gravity of their lengthier companions. Ultimately, as his Tamil publisher, Srinivasan says, his stories defy categorization, characterized only by a mysterious underlying charm.


In translating his stories I believe I am discharging as much a literary duty as a filial duty the literary duty of bringing high quality Tamil work to English.


Unlike Latin American and other world literature (say, the works of Julio Cortazar, Jose Luis Borges, Ibsen, and Gao Xinjian) which are capable of contemplating world history and world thought, as English literature also can, Tamil literature is intensely local, almost folksy. It doesn’t acknowledge the world outside. That does not make great Tamil writers any less than peers from any part of the world.


The tragedy of regional writing in India is that, for the West, it is still an unsighted treasure. Tamil writing is a gem waiting to be discovered by English readership. Writers like Gabriel Garcia Marquez and Haruki Murakami, no doubt extraordinarily talented, benefited by their association with America and promotion by giant journals such as The New York Times. There are equally prodigious writers in Tamil and other Indian languages unsung Nerudas - waiting to be announced. With many things Indian receiving high visibility, I can only hope Tamil writing translated into English will become a collateral beneficiary. And try hard to make it happen.


G.B.Prabhat

April, 2008


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